Monday, January 5, 2015


The original banner for this blog.

The Good Worker has moved to The Work of Wrestling.

Like an NXT wrestler who'd accomplished all he could in the WWE's minor leagues, it was time to graduate to the main stage, to swim with the big fish, and to conquer the showcase of the immortals.

THE RAW REVIEW, THE NXT REPORT, and editorials and podcasts will still exist, they'll all just be located on the prettier, more brand-friendly

I started writing THE RAW REVIEW on June 4th, 2012. The Raw Review became an escape from whatever was bothering me. It became an escape into a world that I could control, into a forum that I could create, into a world that I could develop and evolve over time.

As I grew up, THE RAW REVIEW grew up.

Originally a weekly feature on a friend's blog, I eventually felt a need to have complete creative control over this endeavor. I felt a need to take not only pro-wrestling more seriously, but my writing more seriously.

So, after writing the RAW REVIEW (and other editorials) on The Future Machine for two years, I created this blog, originally The Good Worker, six months ago in June of 2014.

In those six months I've managed to accomplish more than I had in two years of not taking my writing very seriously. When I made the decision to actually do this and to be the best in the world at what I do, I started to see positive results.

But The Good Worker was still a safety net here on Blogger, a host that has served me incredibly well.

That domain was a source of comfort for me. And it was financially preferable (free). Blogger is a spectacular platform to create something, and if you spend the time learning the nuances of the site and its interconnectedness to Google platforms, you can do awesome things. It simplifies everything you need to know about SEO and how the internet actually works.

But if I really wanted to start taking my efforts to analyze and celebrate professional wrestling seriously, I needed to create my own site with its own domain, a legitimate brand that attempts to sell you on the idea that professional wrestling is art.

And so, after years of development, is born. Just in time for the first Monday Night Raw of 2015!

I thank those people who have read my work since 2012, since that first RAW REVIEW. You and I are privy to something very special; we've grown up together.

One of the excellent qualities of the internet is that this evolution has been charted. You can actually look at the first review and you can read from one blog to the next how I, you, the WWE, and the writing has matured. The RAW REVIEW exists like a human being evolving from childhood to adulthood, or like a wrestler evolving from bad gimmick to an honest reflection of the soul.

One thing won't change, however. THE RAW REVIEW will arrive on the internet every Tuesday. The time it arrives exactly is dependent upon how long it takes to create (sometimes up to six hours), but rest assured, it will arrive on

Along with THE RAW REVIEW, there will be a NXT REPORT and a weekly podcast and the usual editorials. Time affording, and should expansion continue, you will be treated to more articles, videos, and the like. And, maybe someday, I can make you guys a cool tee-shirt. Because everyone needs more wrestling tee-shirts.

Thank you Google, thank you The Future Machine, thank you WWE, thank you Steve Austin, thank you Paul Heyman, thank you Mick Foley, thank you friends and family, and thank you, dear reader, for giving me something to work for.

Your readership helped make this the best blog in the world.


Thank you for commenting and reading and liking and sharing, Good Worker marks!

Head to That's our new home! And, as always, follow & subscribe on the gimmicks:





Tuesday, December 30, 2014

THE RAW REVIEW (12/29/14)

The last RAW of 2014 was a good representation of the entire year.

Some good performances, some progressive booking, some stilted performances, and some incredibly regressive booking.

2014 has been a good year for the WWE, despite the flaws, with several younger performers slowly rising to a place of prominence and, in so doing, reinvigorating some of the veteran talents. While fans have had to endure a truly disheartening stream of advertisements on an overlong flagship show and angles that seem booked and built by a blatantly out-of-touch board of directors, they’ve also been treated to an overall sense of increased hope and positivity and signs of legitimate change in the wake of significant events in the WWE fiction and in the actual WWE company.

There is still a great deal of work to be done, though.

RAW kicked off with a somewhat stiff opening segment between Edge and Christian. Sadly, their late 90s/early aughts schtick just doesn’t seem to resonate any more, either because they had to repackage their gimmick into a script or because today’s generation just doesn’t understand who they are and what they’re referencing.

The intensity picked up when Paul Heyman and Brock Lesnar entered the scene.

When Lesnar and Heyman enter the arena, standing together as a truly villainous, all-powerful duo, I feel as though I’m watching a good scene in a good movie. These performers become forces of nature in an old-fashioned yet timeless tale of good versus evil - Brock is the brawn and Heyman is the brains. Thanks to Heyman’s oratory skills and Brock’s steely, serial-killer eyes, their threats to babyfaces like Edge and Christian are actually convincing.

Cena came to the rescue and settled into his traditional Cenaisms.

Saturday, December 27, 2014


Writing weekly reviews of two WWE shows along with the occasional editorial is sometimes daunting (if the shows are bad), but almost always nourishing and energizing.

Each week, sometime around Sunday afternoon, my mind resets and I become excited for RAW. This would happen even if I didn't write about the show, but because I write about it, the prospect of building a new RAW REVIEW for a new week, trying to keep it as fresh and as-engaging-to-read-as-possible is an enjoyable, personal challenge. My focus is always on trying to keep these reviews and these editorials fresh and engaging for myself, first and foremost. Because if I write from that place, from a center of passion and interest, then it will show in the work and be more enjoyable for you to read (hopefully).

Thursday, December 18, 2014


John Cena has been the "top guy" in the WWE for over a decade.

This is an unprecedented run that has inspired legions of fans as much as it has inspired legions of detractors. The character, and the performer, will consistently elicit a strong reaction one way or the other, but his existence also leaves room for more complex reactions.

For example, my feelings about the character have evolved from 2005 (when I first became aware of Cena) to the time of this writing.

I've loved Cena, I've "hated" Cena, I've liked Cena but simply been frustrated with the creative surrounding Cena, I've rolled my eyes at the sound of his entrance music, I've smiled and leaned forward at the sound of his entrance music, I've groaned at his bad jokes and his babyface shtick, and I've been moved to tears by his best promo and the way he interacts with the children in the WWE.

My feelings about a particular performer in the WWE have never evolved in such a radical way. I usually either love a character or loath a character, or my childhood disdain for a heel evolves into a form of respect for that heel's excellent performance. But, as an adult, I've never gone from fan, to "hater", and, ultimately, back to fan.

Wednesday, December 3, 2014


Paul Heyman's promo this week at Raw Tulsa was the best four minutes of the broadcast. And he wasn't even in the building.

The promo received a passing mention in The Raw Review because, at the time of writing, an in-depth praise or analysis didn't feel in keeping with the particular theme of that review. But it's a promo, and a segment, that is due further examination and celebration.

His visage towered over the Tulsa audience, his voice radiating throughout a silent arena, enlightening the masses, in more ways than one, on the significance of the ongoing narrative-thread featuring his client, Brock Lesnar, as well as the importance of effective promo-work.

Michael Cole asks Paul Heyman to address the new stipulation that should John Cena lose to Seth Rolins at TLC that he would no longer be the number one contender for the WWE World Heavyweight Championship.